Forged in Fire: Celebrating America250
In celebration of America’s 250th anniversary in 2026, and in partnership with America250, Forged in Fire at Museum of Glass will combine illustrated lectures, live glassblowing demonstrations with narration, and multimedia content to trace the evolution of American glassmaking, from colonial Jamestown to the contemporary works of Dale Chihuly. Each event illuminates the artistry, design, and cultural significance of glass as both a decorative and functional medium. Forged in Fire will reach diverse audiences throughout the Puget Sound region and beyond via in-person events and live streams. It serves schools, families, lifelong learners, and collectors. The program builds community pride in the region’s unique role in the American Studio Glass Movement — a movement co-founded by Tacoma-native Dale Chihuly — and fosters intergenerational interest in glass as a living decorative art. By combining history, artistry, and live craft, this program exemplifies how decorative arts can spark curiosity, fuel discovery, and create shared cultural experiences.
Lectures and Demonstrations
Museum of Glass will host six unique public sessions pairing glass history talks by renowned glass artist and historian Walter Lieberman with live demonstrations by the Museum’s internationally acclaimed Hot Shop Team. Each lecture focuses on a specific period of time in glassmaking history and is accompanied with a demonstration that recreates period-specific objects and techniques, giving audiences tangible insight into the evolution of glass as a decorative art form. All lectures will be one hour long, and take place on select Saturdays 1pm in the Museum of Glass Hot Shop. The glassmaking demonstrations will follow at 2pm. Details are below.
Lecture 1 | Early American Glass | March 28, 2026
Colonial Jamestown and the first glasshouses, highlighting how domestic glassmaking emerged as an act of self-reliance and defiance against British imports.
Lecture 2 | 19th-Century Innovations | April 25, 2026
The Industrial Revolution’s impact on glass as an everyday necessity and luxury good, from pressed glass to elegant cut crystal.
Lecture 3 | Louis Comfort Tiffany | May 23, 2026
The rise of American Art Nouveau and the cultural impact of Tiffany’s artistry and design
Lecture 4 | Frederick Carder and Steuben
A laboratory of light and form that pushed American glass into new realms of experimentation.
Lecture 5 | Studio Glass Movement
The revolutionary moment in 1962 that moved glass out of factories and into artists’ studios, reclaiming glass as personal, expressive art.
Lecture 6 | Dale Chihuly
How Tacoma’s own Chihuly brought Studio Glass into the global imagination, inspiring countless artists and redefining glass as large-scale public art.
Additional Programming
What Is My Glass Worth?
Museum of Glass will host two community events titled What Is My Glass Worth?, which will feature local glass experts offering insights into collecting, authenticating, and valuing glass artworks — encouraging ongoing engagement with the decorative arts.
About Walt Lieberman
Walter Lieberman has been working in glass for 50 years and his knowledge of glass serves him well in his role as Museum of Glass emcee. He has worked extensively on his craft since getting his start at the Massachusetts College of Art in Boston. Today, he is an internationally known glass painter. Lieberman has taught glassmaking at Pilchuck Glass School, Pratt Fine Arts, and many other schools and colleges around the world. Lieberman's work has been exhibited at Traver Gallery in Seattle, the Metropolitan Museum of Art in New York, and the Victoria and Albert Museum in London. Additionally, his work is part of several prestigious museum collections such as Corning Museum of Glass, the Montreal Museum of Fine Arts, and Museum of Glass. Lieberman also leads lectures on the History of Glass and frequently works with the University of Washington.
Lieberman’s latest exhibition Walter Lieberman: Are you the guy who does the chalk drawings in the Hot Shop? is currently on view at Museum of Glass.